Faculty may submit research here.
Submissions from 2021
Imagination and Memory: Inter-movement Thematic Recall in Beethoven and Brahms, Daniel Beller-McKenna
Submissions from 2010
Between Sehnsucht and Heimweh: Brahms’s Lieder und Romanzen op. 44, Daniel Beller-McKenna
Submissions from 2006
Energy's human face: immigrant stories in song, David K. Ripley
Submissions from 2005
Distance and Disembodiment: Harps, Horns, and the Requiem Impulse in Schumann and Brahms, Daniel Beller-McKenna
Submissions from 2002
I am/was the Walrus, Daniel Beller-McKenna
Submissions from 2001
The Rise and Fall of Brahms the German, Daniel Beller-McKenna
Submissions from 1999
Beatle-John's Alter Ego, Daniel Beller-McKenna
Submissions from 1998
Brahms's Motet Es ist das Heil uns kommen her, op. 29, no. 1 and the 'Fundamental Essence of Music', Daniel Beller-McKenna
How deutsch a Requiem? Absolute music, Universality, and the Reception of Brahms's Ein deutsches Requiem, op. 45, Daniel Beller-McKenna
Submissions from 1996
The Great Warum?: Job, Christ, and Bach in a Brahms Motet, Daniel Beller-McKenna
Submissions from 1995
Reconsidering the Identity of an Orchestral Sketch by Brahms, Daniel Beller-McKenna
Submissions from 1994
Brahms on Schopenhauer: The Vier ernste Gesänge, op. 121 and Late Nineteenth-Century Pessimism, Daniel Beller-McKenna
Submissions from 1991
Mozart's Kyrie Fragments and Late Eighteenth Century Viennese Church Style, Daniel Beller-McKenna