How deutsch a Requiem? Absolute music, Universality, and the Reception of Brahms's Ein deutsches Requiem, op. 45

Authors

Daniel Beller-McKenna, University of New HampshireFollow

Department

Music

Publication Date

7-1-1998

Journal Title

19th Century Music

Publisher

University of California Press

Digital Object Identifier (DOI)

https://dx.doi.org/10.2307/746789

Document Type

Article

Recommended Citation

Beller-McKenna, D. "How deutsch a Requiem? Absolute music, Universality, and the Reception of Brahms's Ein deutsches Requiem, op. 45." 19th Century Music 22 (1998): 3-19.