Issue 1 (September 2022)

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Kinky Friedman and His Influence on Jewish American Music
Mara W. Cohen Ioannides

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Comparative Study of Tempo Deviations in Four 54 Recordings of Hans Werner Henze’s Du schönesBächlein for Guitar Solo (1958)
João Raone Tavares da Silva

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Cross-Cultural Performance of Iranian ContemporaryMusic: Hommage à Abolhasan Saba and Masnavi
Liselotte Sels

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A “Free Artist of Color” in Late-Eighteenth-Century Saint-Domingue: The Life and Times of Minette
Bernard Camier

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The Other Side of My Heart: Latina Immigrant’s Oral History in Music
Lorena Guillén

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Nouvelles lettres de Berlioz, de sa famille, de ses contemporains, edited by Peter Bloom, Joël-Marie Fauquet, Hugh J. Macdonald, and Cécile Reynaud(Actes Sud/Palazzetto Bru Zane) (review)
Ralph P. Locke

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Think Subtilior/Cercle des Fumeux/Songs and Sounds, Santenay (Julla von Landsberg, voice & organetto; Elodie Wiemer, recorder; Szilárd Chereji, vielle; Orí Harmelin, lute), Ricercare RIC386 (2014)—51 minutes [review]
Mark Rimple

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J. S. Bach: Sonatas for Flute and Harpsichord, Stephen Schultz, baroque flute; Jory Vinikour, harpsichord, Music & Arts CD 1295—55 minutes [review]
Rob Haskins

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Chopin: The Complete Etudes. Jocelyn Swigger, piano. Con Brio Recordings CBR2172—61 minutes [review]
Rob Haskins

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John Cage: Music for Piano 4–84 Overlapped, Pascale Berthelot, piano. Collection Cuicatl YAN.006—64 minutes [review]
Rob Haskins

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John Cage: Two2. Mark Knoop and Philip Thomas, pianos. Another Timbre at124x2 (2 CDs, 128 minutes) [review]
Rob Haskins

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Contributors to Issue 1