Date of Award

Winter 2011

Abstract

Theodor Adorno is an influential figure in cultural studies, philosophy, and musicology. However, a re-examination of Adorno's framework in the context of contemporary media studies is necessary because audio production and distribution technologies have changed dramatically since Adorno's time of writing. In this thesis, I apply Adorno's critical framework to the electronic artist Owl City. In doing so, I enhance Adorno's model of analysis in order to allow for both regressive and progressive interpretations of contemporary music culture. I argue that social media facilitate a more efficacious culture industry, and that digital media facilitate a progressive form of escaping from the culture industry's oppression.

First Advisor

Michael Albrecht

Department or Program

Liberal Studies

Degree Name

Master of Arts

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