The Way of the Moderns: Six Perspectives on Modernism in Music, edited by Antoni Pizà

Authors

Rob Haskins, University of New HampshireFollow

Keywords

modernism in music, twentieth-century music, contemporary music, reception of new music, modern music and feeling, music in contemporary life, social aspects of music, analysis and appreciation of modern music, John Cage, Wolfgang Amadeus Mozart, Gaetano Donizetti, Johannes Brahms, Claude Debussy, Arnold Schoenberg, Igor Stravinsky, Elliott Carter, 90+, Steve Reich, Music for 18 Musicians, George Rochberg, Michael Tippett, Anton Webern, Nadia Boulanger, Bob Dylan, Lady Gaga, “Poker Face, ” Dmitri Shostakovich, The Lady Macbeth of the Mtsensk District, John Adams, The Death of Klinghoffer, Richard Wagner, Tristan und Isolde, “Liebestod, ” Milton Babbitt, Composition for Four Instruments, George Frideric Handel, Israel in Egypt, Johann Sebastian Bach, St. John Passion, Immanuel Kant, Johann Gottfried Herder, Eduard Hanslick, Charles Rosen, Paul Griffiths, Philip Glass, David Harrington, Roger Scruton, Richard Taruskin, Greil Marcus, Scott Burnham, Jeffrey Milarsky, Claire Chase, Daniel J, Wakin, Brooke Gladstone, Robert Fink

Recommended Citation

Haskins, Rob. "The Way of the Moderns: Six Perspectives on Modernism in Music, edited by Antoni Pizà." Music & Musical Performance: An International Journal. Issue 8, article 14 (August 2025).
Available at: https://scholars.unh.edu/mmp/vol1/iss8/14