Abstract

Kurt Weill, Bela Bartok, and Arnold Schoenberg are all influential composers of the twentieth century who immigrated to the United States to escape persecution during World War II. Their refugee experience, however, is not often taken into account when studying their musical works. This project examines how their immigration affected their compositional output, and how the pressures of the time shaped them as composers. This project aims to bring light to an underappreciated factor of these composers' lives and inform the way we support refugee musicians in the future.

Publication Date

Spring 2021

Journal Title

Inquiry Journal

Mentor

Rose Pruiksma

Publisher

Durham, NH: Hamel Center for Undergraduate Research, University of New Hampshire

Document Type

Article

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