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Submissions from 2004

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Religious icons, national iconography, and female bodies in Hawthorne and Stowe, Brigitte G. Bailey

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Animals and Systems of Dirt in the Works of Lois-Ann Yamanaka, Monica E. Chiu

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Filthy Fictions: Asian American Literature by Women, Monica E. Chiu

Judith Ranta’s Betsey Guppy Chamberlain: Native American Mill Worker [Review], Siobhan Senier

Submissions from 2003

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Tourism and Visual Subjection in Letters from Abroad and 'An Incident at Rome.', Brigitte G. Bailey

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Review of 2003. Rocío G. Davis' Transcultural Reinventions: Asian American and Asian Canadian Short-Story Cycles, Toronto, Tsar Press, 2002, Monica E. Chiu

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Trauma and Multiplicity in Nieh's Mulberry and Peach, Monica E. Chiu

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Nostalgia and Theatricality: The Fate of the Shakespearean Stage in The Midsummer Night's Dreams of Michael Hoffman, Adrian Noble, and Christine Edzard, Douglas M. Lanier

Chadwick Allen’s Blood Narrative: Indigenous Identity in American Indian and Maori Literary and Activist Texts [Book Review], Siobhan Senier

Kate Phillips’s Helen Hunt Jackson: A Literary Life [Book Review], Siobhan Senier

Submissions from 2002

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Fuller, Hawthorne, and imagining urban spaces in Rome, Brigitte G. Bailey

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Gender, Nation, and the Tourist Gaze in the European 'Year of Revolutions': Kirkland's Holidays Abroad, Brigitte G. Bailey

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Review of Rocío G. Davis and Sämi Ludwig, eds. Asian American Literature in the International Context, Berlin: LIT Verlag, 2001, Monica E. Chiu

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Art thou base, common and popular?'": The Cultural Politics of Kenneth Branagh's Hamlet, Douglas M. Lanier

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Shakescorp Noir, Douglas M. Lanier

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Shakespeare and Modern Popular Culture, Douglas M. Lanier

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WSHX: Shakespeare and American Radio, Douglas M. Lanier

Anita Endrezze’s Throwing Fire at the Sun, Water at the Moon [Book Review], Siobhan Senier

Sally Zanjani’s Sarah Winnemucca [Book Review], Siobhan Senier

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Employing the Local: A Penobscot Modern in the Federal Writers’ Project, Siobhan Senier and H. Bak

Submissions from 2001

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Postnational Globalization and (En)Gendered Meat Production in Ruth L. Ozeki's My Year of Meats, Monica E. Chiu

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Review of Review of a special issue of Frontiers: A Journal of Women Studies 21.1&2 (2000), Monica E. Chiu

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"Henry Porter," "Matthew Roydon," and "Nicholas Udall.", Douglas M. Lanier

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The Idea of a John Barrymore, Douglas M. Lanier

Sally Zanjani’s Sarah Winnemucca [Book Review], Siobhan Senier

Voices of American Indian Assimilation and Resistance: Helen Hunt Jackson, Sarah Winnemucca, Victoria Howard, Siobhan Senier

Submissions from 2000

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Representing Italy: Fuller, History Painting, and the Popular Press, Brigitte G. Bailey

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Being Human in the Wor(l)d: Chinese Men and Maxine Hong Kingston's Reworking of Robinson Crusoe, Monica E. Chiu

Shakespeare and Popular Culture, Douglas M. Lanier

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Allotment Protest and Tribal Discourse: Reading Wynema’s Successes and Shortcomings, Siobhan Senier

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The ‘How-To’ and its Hazards in a Moment of Institutional Change, Siobhan Senier and L. Botshon

Submissions from 1999

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Motion, Memory, and Conflict in Chuang Hua's Modernist Crossings, Monica E. Chiu

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Review of Sheng-Mei Ma's Immigrant Subjectivities in Asian American and Asian Disaspora Literatures, Monica E. Chiu

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Fertile Visions: Jacobean Revels and the Erotics of Occasion, Douglas M. Lanier

Submissions from 1998

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Constructing 'Home' in Mary Paik Lee's Quiet Odyssey: A Pioneer Korean Woman in America, Monica E. Chiu

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Review of Phillipa Kafka's (Un)Doing the Missionary Position: Gender Asymmetry in Contemporary Asian American Women's Writing, Monica E. Chiu

Now: The Presence of History in Pacino's Looking for Richard, Douglas M. Lanier

Traditions Shown But Not Explained: Native Spirituality and Transcribed Oral Stories, Siobhan Senier, M. Ditullio, and G. Stickney

Submissions from 1997

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Review of Shawn Wong's American Knees, Monica E. Chiu

American Indian Intellectuals in the Era of Assimilation: Victoria Howard’s Oral Narratives, Siobhan Senier

Gerald Vizenor’s Hotline Healers [Book Review], Siobhan Senier

Victoria Howard, Siobhan Senier

Submissions from 1996

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Allopathology in Medical Rhetoric and Maternal Health Care: Discursive (Mal)Practice and the Female Body, Monica E. Chiu

"So Short You Read My Character": Ben Jonson and the Sphragis, Douglas M. Lanier

Submissions from 1995

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Hawthorne and the Author Question [Review], Brigitte G. Bailey

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Travel Writing and the Metropolis: James, London, and English Hours, Brigitte G. Bailey

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Review of Ben Fong- Torres' The Rice Room: Growing Up Chinese American From Number Two Son to Rock 'N' Roll, Monica E. Chiu

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Review of Denise Chong's The Concubine's Children, Monica E. Chiu

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Drowning the Book: Prospero's Books and the Textual Shakespeare, Douglas M. Lanier

Encryptions: Reading Milton Reading Jonson Reading Shakespeare., Douglas M. Lanier

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"Unmarkt, Unknown": The Return of the Expressed in Paradise Regained, Douglas M. Lanier

Submissions from 1994

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Thomas Cole: Landscape into History [Review], Brigitte G. Bailey

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Masculine Silence: Epicoene and Jonsonian Stylistics, Douglas M. Lanier

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A Zuni Raconteur Dons the Junco Shirt: Gender and Narrative Style in the Story of Coyote and Junco, Siobhan Senier

Submissions from 1993

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Aesthetics and ideology in Italian backgrounds, Brigitte G. Bailey

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The Protected Witness: Cole, Cooper, and the Tourist's View of the Italian Landscape, Brigitte G. Bailey

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'Stigmatical in Making': The Material Character of The Comedy of Errors., Douglas M. Lanier

Submissions from 1992

Prophetic Pictures: Nathaniel Hawthorne's Knowledge and Uses of the Visual Arts [review], Brigitte G. Bailey

Recovering the Texts and Contexts of Irving's European Sojourn [Review essay]., Brigitte G. Bailey

Less is More: Coverage, Critical Theory and the Limits of Pluralism in Introductory Literature Courses, Douglas M. Lanier

Submissions from 1991

The School of Hawthorne [Review], Brigitte G. Bailey

Submissions from 1990

Hawthorne's American Travel Sketches [Review], Brigitte G. Bailey

Submissions from 1988

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Ben Jonson, Epigrammes X ('To My Lord Ignorant'), Douglas M. Lanier

Submissions from 1987

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Satire, Self-Concealment, and Statecraft: The Game of Identity in John Marston's The Malcontent., Douglas M. Lanier

Submissions from 1986

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Irving's Italian Landscapes: Skepticism and the Picturesque Aesthetic, Brigitte G. Bailey

Brainchildren: Patriarchy and Self-Representation in the Early Works of Ben Jonson, Douglas M. Lanier

Submissions from 1985

The Prison-House of the Canon: Allegorical Form and Posterity in Ben Jonson's The Staple of Newes., Douglas M. Lanier