Faculty may submit research here.
Submissions from 2006
"Hours dreadful and things strange": Macbeth in Popular Culture, Douglas M. Lanier
"O, what a fall was there, my countrymen!": Julius Caesar in Popular Culture, Douglas M. Lanier
Shakespeare and Cultural Studies: An Overview, Douglas M. Lanier
"That you have but slumbered here": A Midsummer Night's Dream in Popular Culture, Douglas M. Lanier
Dydia DeLyser, Ramona Memories: Tourism and the Shaping of Southern California [Book Review], Siobhan Senier
Submissions from 2005
"Edith Wharton", Brigitte G. Bailey
"Henry Adams", Brigitte G. Bailey
"Phillis Wheatley", Brigitte G. Bailey
Profession of Writing, 1800-1900, Brigitte G. Bailey
At Your Service: Teaching Rhetoric in a Business School Writing Center, Cristy A. Beemer, Sarah Bowles, and Lisa Shaver
Medical, Racist, and Colonial Constructions of Power in Anne Fadiman's The Spirit Catches You and You Fall Down, Monica E. Chiu
"It is the Green-Eyed Monster": Othello and Popular Culture, Douglas M. Lanier
Minstrelsy / Jazz / Rap: Shakespearean Legitimation and African-American Culture, Douglas M. Lanier
"What's in a Name?": Romeo and Juliet and Popular Culture, Douglas M. Lanier
Thank you, LaVonne, Siobhan Senier
Sarah Winnemucca, Siobhan Senier, S. Crawford, and D. Kelley
Native American Literature, Siobhan Senier, D. Watters, and B. Feintuch
Submissions from 2004
Religious icons, national iconography, and female bodies in Hawthorne and Stowe, Brigitte G. Bailey
Animals and Systems of Dirt in the Works of Lois-Ann Yamanaka, Monica E. Chiu
Filthy Fictions: Asian American Literature by Women, Monica E. Chiu
Judith Ranta’s Betsey Guppy Chamberlain: Native American Mill Worker [Review], Siobhan Senier
Submissions from 2003
Tourism and Visual Subjection in Letters from Abroad and 'An Incident at Rome.', Brigitte G. Bailey
Review of 2003. Rocío G. Davis' Transcultural Reinventions: Asian American and Asian Canadian Short-Story Cycles, Toronto, Tsar Press, 2002, Monica E. Chiu
Trauma and Multiplicity in Nieh's Mulberry and Peach, Monica E. Chiu
Nostalgia and Theatricality: The Fate of the Shakespearean Stage in The Midsummer Night's Dreams of Michael Hoffman, Adrian Noble, and Christine Edzard, Douglas M. Lanier
Chadwick Allen’s Blood Narrative: Indigenous Identity in American Indian and Maori Literary and Activist Texts [Book Review], Siobhan Senier
Kate Phillips’s Helen Hunt Jackson: A Literary Life [Book Review], Siobhan Senier
Submissions from 2002
Fuller, Hawthorne, and imagining urban spaces in Rome, Brigitte G. Bailey
Gender, Nation, and the Tourist Gaze in the European 'Year of Revolutions': Kirkland's Holidays Abroad, Brigitte G. Bailey
Review of Rocío G. Davis and Sämi Ludwig, eds. Asian American Literature in the International Context, Berlin: LIT Verlag, 2001, Monica E. Chiu
Art thou base, common and popular?'": The Cultural Politics of Kenneth Branagh's Hamlet, Douglas M. Lanier
Shakescorp Noir, Douglas M. Lanier
Shakespeare and Modern Popular Culture, Douglas M. Lanier
WSHX: Shakespeare and American Radio, Douglas M. Lanier
Anita Endrezze’s Throwing Fire at the Sun, Water at the Moon [Book Review], Siobhan Senier
Sally Zanjani’s Sarah Winnemucca [Book Review], Siobhan Senier
Employing the Local: A Penobscot Modern in the Federal Writers’ Project, Siobhan Senier and H. Bak
Submissions from 2001
Postnational Globalization and (En)Gendered Meat Production in Ruth L. Ozeki's My Year of Meats, Monica E. Chiu
Review of Review of a special issue of Frontiers: A Journal of Women Studies 21.1&2 (2000), Monica E. Chiu
"Henry Porter," "Matthew Roydon," and "Nicholas Udall.", Douglas M. Lanier
The Idea of a John Barrymore, Douglas M. Lanier
Sally Zanjani’s Sarah Winnemucca [Book Review], Siobhan Senier
Voices of American Indian Assimilation and Resistance: Helen Hunt Jackson, Sarah Winnemucca, Victoria Howard, Siobhan Senier
Submissions from 2000
Representing Italy: Fuller, History Painting, and the Popular Press, Brigitte G. Bailey
Being Human in the Wor(l)d: Chinese Men and Maxine Hong Kingston's Reworking of Robinson Crusoe, Monica E. Chiu
Shakespeare and Popular Culture, Douglas M. Lanier
Allotment Protest and Tribal Discourse: Reading Wynema’s Successes and Shortcomings, Siobhan Senier
The ‘How-To’ and its Hazards in a Moment of Institutional Change, Siobhan Senier and L. Botshon
Submissions from 1999
Motion, Memory, and Conflict in Chuang Hua's Modernist Crossings, Monica E. Chiu
Review of Sheng-Mei Ma's Immigrant Subjectivities in Asian American and Asian Disaspora Literatures, Monica E. Chiu
Fertile Visions: Jacobean Revels and the Erotics of Occasion, Douglas M. Lanier
Submissions from 1998
Constructing 'Home' in Mary Paik Lee's Quiet Odyssey: A Pioneer Korean Woman in America, Monica E. Chiu
Review of Phillipa Kafka's (Un)Doing the Missionary Position: Gender Asymmetry in Contemporary Asian American Women's Writing, Monica E. Chiu
Now: The Presence of History in Pacino's Looking for Richard, Douglas M. Lanier
Traditions Shown But Not Explained: Native Spirituality and Transcribed Oral Stories, Siobhan Senier, M. Ditullio, and G. Stickney
Submissions from 1997
Review of Shawn Wong's American Knees, Monica E. Chiu
American Indian Intellectuals in the Era of Assimilation: Victoria Howard’s Oral Narratives, Siobhan Senier
Gerald Vizenor’s Hotline Healers [Book Review], Siobhan Senier
Victoria Howard, Siobhan Senier
Submissions from 1996
Allopathology in Medical Rhetoric and Maternal Health Care: Discursive (Mal)Practice and the Female Body, Monica E. Chiu
"So Short You Read My Character": Ben Jonson and the Sphragis, Douglas M. Lanier
Submissions from 1995
Hawthorne and the Author Question [Review], Brigitte G. Bailey
Travel Writing and the Metropolis: James, London, and English Hours, Brigitte G. Bailey
Review of Ben Fong- Torres' The Rice Room: Growing Up Chinese American From Number Two Son to Rock 'N' Roll, Monica E. Chiu
Review of Denise Chong's The Concubine's Children, Monica E. Chiu
Drowning the Book: Prospero's Books and the Textual Shakespeare, Douglas M. Lanier
Encryptions: Reading Milton Reading Jonson Reading Shakespeare., Douglas M. Lanier
"Unmarkt, Unknown": The Return of the Expressed in Paradise Regained, Douglas M. Lanier
Submissions from 1994
Thomas Cole: Landscape into History [Review], Brigitte G. Bailey
Masculine Silence: Epicoene and Jonsonian Stylistics, Douglas M. Lanier
A Zuni Raconteur Dons the Junco Shirt: Gender and Narrative Style in the Story of Coyote and Junco, Siobhan Senier
Submissions from 1993
Aesthetics and ideology in Italian backgrounds, Brigitte G. Bailey
The Protected Witness: Cole, Cooper, and the Tourist's View of the Italian Landscape, Brigitte G. Bailey
'Stigmatical in Making': The Material Character of The Comedy of Errors., Douglas M. Lanier
Submissions from 1992
Prophetic Pictures: Nathaniel Hawthorne's Knowledge and Uses of the Visual Arts [review], Brigitte G. Bailey
Recovering the Texts and Contexts of Irving's European Sojourn [Review essay]., Brigitte G. Bailey
Less is More: Coverage, Critical Theory and the Limits of Pluralism in Introductory Literature Courses, Douglas M. Lanier
Submissions from 1991
The School of Hawthorne [Review], Brigitte G. Bailey
Submissions from 1990
Hawthorne's American Travel Sketches [Review], Brigitte G. Bailey
Submissions from 1988
Ben Jonson, Epigrammes X ('To My Lord Ignorant'), Douglas M. Lanier
Submissions from 1987
Satire, Self-Concealment, and Statecraft: The Game of Identity in John Marston's The Malcontent., Douglas M. Lanier
Submissions from 1986
Irving's Italian Landscapes: Skepticism and the Picturesque Aesthetic, Brigitte G. Bailey
Brainchildren: Patriarchy and Self-Representation in the Early Works of Ben Jonson, Douglas M. Lanier
Submissions from 1985
The Prison-House of the Canon: Allegorical Form and Posterity in Ben Jonson's The Staple of Newes., Douglas M. Lanier