Faculty may submit research here.
Submissions from 2024
Curriculum Vitae: Patricia A. Emison, Department of Art and Art History, Patricia Emison
Submissions from 2013
Michelangelo: Fortuna di un mito; Cinquecento anni di critica, letteraria e artistica. [Review], Patricia Emison
Submissions from 2012
On ambition in art, Patricia Emison
The Italian Renaissance and cultural memory, Patricia Emison
"Whittling down the istoria," in Subject as aporia in early modern art, Patricia Emison, Alexander Nagel, and Lorenzo Pericolo
Submissions from 2011
Leonardo, Patricia Emison
Remembering the Renaissance, Patricia Emison
Re-reading Virginia Woolf, Patricia Emison
The mirror, the window, and the telescope: How Renaissance linear perspective changed our vision of the universe [Review], Patricia Emison
Submissions from 2010
Novelty, Patricia Emison
Submissions from 2008
The shaping of art history: meditations on a discipline, Patricia Emison
The world in Venice: print, the city, and early modern identity [Review], Patricia Emison
"Developing a twenty-first-century perspective on the Renaissance," in Renaissance Theory, Patricia Emison, James Elkins, and Robert Williams
Submissions from 2006
Michelangelo drawings: closer to the master [Review], Patricia Emison
The simple art: Printed works on paper in an age of magnificence, Patricia Emison
"The arts of replication," in Renaissance Florence: a social history, Patricia Emison, J. T. Paoletti, and R. Crum
Submissions from 2005
Dürer's rider, Patricia Emison
Michelangelo's double self-portraits [Review], Patricia Emison
Rembrandt's "Allegory of the Phoenix", Patricia Emison
Growing with the grain, dynamic families shaping history from ancient times to the present, Patricia Emison and Chloe Emison
"Raphael's multiples" in the Cambridge companion to Raphael, Patricia Emison and Marcia B. Hall
Submissions from 2004
Creating the "divine" artist from Dante to Michelangelo, Patricia Emison
Submissions from 2003
Art historians' web sites, Patricia Emison
Submissions from 2002
Raphael's Dresden cherubs, Patricia Emison
The poetics of portraiture in the Italian Renaissance [Review], Patricia Emison
Submissions from 2001
Art and ritual in Renaissance childbirth [Review], Patricia Emison
Art and Ritual of Childbirth in Renaissance Italy. [Review], Patricia Emison
The invention of the Italian Renaissance printmaker [Review], Patricia Emison
Submissions from 2000
Florence: The art of the 1470s [Review], Patricia Emison
Les premieres gravures italiennes: quattrocentro-debut du cinquecento [Review], Patricia Emison
"The Print," Oxford illustrated history of art, Patricia Emison and M. Kemp
Submissions from 1999
Truth and bizzarria in an engraving of lo stregozzo, Patricia Emison
Submissions from 1998
Graveurs en taille-douce des Anciens Pays-Bas, 1430-1555 [Review], Patricia Emison
The Ignudo as proto-capriccio, Patricia Emison
The uses of mood in two of Tiepolo's etchings, Patricia Emison
Submissions from 1997
Low and high style in Italian Renaissance art, Patricia Emison
Submissions from 1996
"Istoria" in Grove Art Online, Patricia Emison
"Poesia" in Grove Art Online, Patricia Emison
The French Renaissance in Prints, from the Bibliothèque Nationale de France. [Review], Patricia Emison
The French Renaissance in prints [Review], Patricia Emison
Submissions from 1995
Albrecht Altdorfer and the origins of landscape [Review], Patricia Emison
Prolegomenon to the study of Italian Renaissance prints, Patricia Emison
The Paysage Moralis, Patricia Emison
Submissions from 1994
Four countries, one three-year-old, Patricia Emison
Graven images, the rise of professional printmakers in Antwerp and Haarlem, 1540-1640 [Review], Patricia Emison
The moment of self-portraiture in German Renaissance art [Review], Patricia Emison
The raucousness of Mantegna's mythological engravings, Patricia Emison
The Renaissance print, 1470-1550 [Review], Patricia Emison
Submissions from 1993
Leonardo's landscape in the "Virgin of the Rocks", Patricia Emison
On not brushing off Venetian prints. The Paris exhibition [Review], Patricia Emison
Submissions from 1992
Andrea Mantegna, A Printmaker?! A Controversy [Review], Patricia Emison
Asleep in the grass of Arcady. Giulio Campagnola's dreamer, Patricia Emison
The porta della Mandorla's bear, Patricia Emison
Submissions from 1991
Eva/Ave at the National Gallery of Art [Review], Patricia Emison
Grazia, Patricia Emison
The 'Concert Champetre' and Gilding the Lily, Patricia Emison
The singularity of Raphael's Lucretia, Patricia Emison
Submissions from 1990
The word made naked in Pollaiuolo's Battle of the Nudes, Patricia Emison
Submissions from 1988
Michelangelo's Adam, before and after creation, Patricia Emison
The world in miniature: engravings by the German little masters, Stephen H. Goddard and Patricia Emison
Submissions from 1986
The art of teaching: sixteenth-century allegorical prints and drawings, Patricia Emison
Submissions from 1985
"The Triumph of the Moon" by Master PP, Patricia Emison
Submissions from 1984
Marcantonio's 'Massacre of the Innocents', Patricia Emison