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Submissions from 2012

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On ambition in art, Patricia Emison

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The Italian Renaissance and cultural memory, Patricia Emison

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"Whittling down the istoria," in Subject as aporia in early modern art, Patricia Emison, Alexander Nagel, and Lorenzo Pericolo

Submissions from 2011

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Leonardo, Patricia Emison

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Remembering the Renaissance, Patricia Emison

Re-reading Virginia Woolf, Patricia Emison

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The mirror, the window, and the telescope: How Renaissance linear perspective changed our vision of the universe [Review], Patricia Emison

Submissions from 2010

Novelty, Patricia Emison

Submissions from 2008

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The shaping of art history: meditations on a discipline, Patricia Emison

The world in Venice: print, the city, and early modern identity [Review], Patricia Emison

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"Developing a twenty-first-century perspective on the Renaissance," in Renaissance Theory, Patricia Emison, James Elkins, and Robert Williams

Submissions from 2006

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Michelangelo drawings: closer to the master [Review], Patricia Emison

The simple art: Printed works on paper in an age of magnificence, Patricia Emison

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"The arts of replication," in Renaissance Florence: a social history, Patricia Emison, J. T. Paoletti, and R. Crum

Submissions from 2005

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Dürer's rider, Patricia Emison

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Michelangelo's double self-portraits [Review], Patricia Emison

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Rembrandt's "Allegory of the Phoenix", Patricia Emison

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Growing with the grain, dynamic families shaping history from ancient times to the present, Patricia Emison and Chloe Emison

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"Raphael's multiples" in the Cambridge companion to Raphael, Patricia Emison and Marcia B. Hall

Submissions from 2004

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Creating the "divine" artist from Dante to Michelangelo, Patricia Emison

Submissions from 2003

Art historians' web sites, Patricia Emison

Submissions from 2002

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Raphael's Dresden cherubs, Patricia Emison

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The poetics of portraiture in the Italian Renaissance [Review], Patricia Emison

Submissions from 2001

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Art and ritual in Renaissance childbirth [Review], Patricia Emison

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The invention of the Italian Renaissance printmaker [Review], Patricia Emison

Submissions from 2000

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Florence: The art of the 1470s [Review], Patricia Emison

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Les premieres gravures italiennes: quattrocentro-debut du cinquecento [Review], Patricia Emison

"The Print," Oxford illustrated history of art, Patricia Emison and M. Kemp

Submissions from 1999

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Truth and bizzarria in an engraving of lo stregozzo, Patricia Emison

Submissions from 1998

Graveurs en taille-douce des Anciens Pays-Bas, 1430-1555 [Review], Patricia Emison

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The Ignudo as proto-capriccio, Patricia Emison

The uses of mood in two of Tiepolo's etchings, Patricia Emison

Submissions from 1997

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Low and high style in Italian Renaissance art, Patricia Emison

Submissions from 1996

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"Istoria" in Grove Art Online, Patricia Emison

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"Poesia" in Grove Art Online, Patricia Emison

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The French Renaissance in prints [Review], Patricia Emison

Submissions from 1995

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Albrecht Altdorfer and the origins of landscape [Review], Patricia Emison

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Prolegomenon to the study of Italian Renaissance prints, Patricia Emison

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The Paysage Moralis, Patricia Emison

Submissions from 1994

Four countries, one three-year-old, Patricia Emison

Graven images, the rise of professional printmakers in Antwerp and Haarlem, 1540-1640 [Review], Patricia Emison

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The moment of self-portraiture in German Renaissance art [Review], Patricia Emison

The raucousness of Mantegna's mythological engravings, Patricia Emison

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The Renaissance print, 1470-1550 [Review], Patricia Emison

Submissions from 1993

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Leonardo's landscape in the "Virgin of the Rocks", Patricia Emison

On not brushing off Venetian prints. The Paris exhibition [Review], Patricia Emison

Submissions from 1992

Andrea Mantegna, A Printmaker?! A Controversy [Review], Patricia Emison

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Asleep in the grass of Arcady. Giulio Campagnola's dreamer, Patricia Emison

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The porta della Mandorla's bear, Patricia Emison

Submissions from 1991

Eva/Ave at the National Gallery of Art [Review], Patricia Emison

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Grazia, Patricia Emison

The 'Concert Champetre' and Gilding the Lily, Patricia Emison

The singularity of Raphael's Lucretia, Patricia Emison

Submissions from 1990

The word made naked in Pollaiuolo's Battle of the Nudes, Patricia Emison

Submissions from 1988

Michelangelo's Adam, before and after creation, Patricia Emison

The world in miniature: engravings by the German little masters, Stephen H. Goddard and Patricia Emison

Submissions from 1986

The art of teaching: sixteenth-century allegorical prints and drawings, Patricia Emison

Submissions from 1985

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"The Triumph of the Moon" by Master PP, Patricia Emison

Submissions from 1984

Marcantonio's 'Massacre of the Innocents', Patricia Emison