Publication Date
5-2023
Abstract
This paper argues that the 2019 horror film Midsommar accomplishes almost-feminism. It includes a matriarchal society, respects older women, punishes toxic masculinity, rewards emotional vulnerability, has complex and unique female characters, and has a strong female protagonist. There is also, however an overt lack of intersectionality, as Midsommar exhibits a lack of consideration for class, ableism, racism, or body diversity. This film is nevertheless a worthwhile counterweight in a sea of actively sexist horror films.
Recommended Citation
Lambert, Kaley
(2023)
"The Almost-Feminism of Midsommar,"
Comm-entary: Vol. 19:
Iss.
1, Article 10.
Available at:
https://scholars.unh.edu/comm-entary/vol19/iss1/10