Faculty may submit research here.
Submissions from 2014
The Two Texts of Picnic, David M. Richman
Submissions from 2011
Common ground or killing quicksand?, David M. Richman
Submissions from 2010
The Tragicall Historie of Hamlet; Staging the Naughty Quarto, David M. Richman
Submissions from 2009
When you walk, do you feel like you are dancing?, Deborah A. Kinghorn
Review of Hamlet without Hamlet, by Margretta De Grazia, David M. Richman
Submissions from 2007
Kill the messenger: why the living arts reflect the true state of a democracy (a play in one short act), David J. Kaye
Submissions from 2006
Smelling Their Way to Dover, David M. Richman
Submissions from 2003
Listening to the Images: My Sightless Insights into Yeats's Plays, David M. Richman
Submissions from 2000
Passionate action : Yeats's mastery of drama, David M. Richman
Submissions from 1998
Writing for the Ear: Yeats and Dramatic Speech, David M. Richman
Submissions from 1994
Yeats, Personality, and Cathleen ni Houlihan, David M. Richman
Submissions from 1992
Review of Analyzing Shakespeare's Action, by Charles and Elaine Hallett and The Actor in History, by David Greene, David M. Richman
Submissions from 1990
Laughter, pain, and wonder : Shakespeare's comedies and the audience in the theater, David M. Richman
Submissions from 1989
Train 713 in America, David M. Richman
Submissions from 1988
Review of The American Shakespeare Theatre, Stratford, 1955-1985, by Roberta Krensky Cooper, David M. Richman
Submissions from 1986
The King Lear Quarto in Rehearsal and Performance, David M. Richman
Submissions from 1984
Dramatic Symbiosis in Much Ado About Nothing, David M. Richman
Submissions from 1983
Directing Middleton's Comedy, David M. Richman
Submissions from 1982
Education of a Blind Director, David M. Richman
Submissions from 1974
Directing Freshwater, David M. Richman