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Submissions from 2021

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Imagination and Memory: Inter-movement Thematic Recall in Beethoven and Brahms, Daniel Beller-McKenna

Submissions from 2010

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Between Sehnsucht and Heimweh: Brahms’s Lieder und Romanzen op. 44, Daniel Beller-McKenna

Submissions from 2006

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Energy's human face: immigrant stories in song, David K. Ripley

Submissions from 2005

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Distance and Disembodiment: Harps, Horns, and the Requiem Impulse in Schumann and Brahms, Daniel Beller-McKenna

Submissions from 2002

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I am/was the Walrus, Daniel Beller-McKenna

Submissions from 2001

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The Rise and Fall of Brahms the German, Daniel Beller-McKenna

Submissions from 1999

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Beatle-John's Alter Ego, Daniel Beller-McKenna

Submissions from 1998

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Brahms's Motet Es ist das Heil uns kommen her, op. 29, no. 1 and the 'Fundamental Essence of Music', Daniel Beller-McKenna

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How deutsch a Requiem? Absolute music, Universality, and the Reception of Brahms's Ein deutsches Requiem, op. 45, Daniel Beller-McKenna

Submissions from 1996

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The Great Warum?: Job, Christ, and Bach in a Brahms Motet, Daniel Beller-McKenna

Submissions from 1995

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Reconsidering the Identity of an Orchestral Sketch by Brahms, Daniel Beller-McKenna

Submissions from 1994

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Brahms on Schopenhauer: The Vier ernste Gesänge, op. 121 and Late Nineteenth-Century Pessimism, Daniel Beller-McKenna

Submissions from 1991

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Mozart's Kyrie Fragments and Late Eighteenth Century Viennese Church Style, Daniel Beller-McKenna