“Good lord, for alliance” : Joss Whedon’s Much Ado About Nothing., Douglas M. Lanier
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"Shakespearean Rhizomatics: Adaptation, Ethics, Value.", Douglas M. Lanier
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L'homme blanc et l'homme noir: Les enfants du paradis and Othello, Douglas M. Lanier
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"There won't be puppets, will there?": 'Heroic' Authorship and the Cultural Politics of Anonymous, Douglas M. Lanier
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Murdering Othello, Douglas M. Lanier
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"Nimble in damnation, quick in tune": Vice and The Revenger's Tragedy, Douglas M. Lanier
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Marketing Shakespeare, Douglas M. Lanier
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"I'll Teach You Differences": Film Genre, Critical Pedagogy, and Shakespeare on Screen, Douglas M. Lanier
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Post-Textual Shakespeare, Douglas M. Lanier
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Nouveau noir: Claude Chabrol's Ophélia, Shakespeare's Hamlet, and the nouvelle vague, Douglas M. Lanier
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Recent Shakespearean Adaptation and the Mutations of Cultural Capital, Douglas M. Lanier
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Ellington's Dark Lady, Douglas M. Lanier
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"The villainy you teach me": The Merchant of Venice in Popular Culture, Douglas M. Lanier
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Shakespeare on the Record, Douglas M. Lanier
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Julie Taymor, Douglas M. Lanier
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Shakespeare, from Stage to Screen. [Review], Douglas M. Lanier
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"Kiss Me Kate": The Taming of the Shrew in Popular Culture, Douglas M. Lanier
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"A sea-change / Into something rich and strange": The Tempest in Popular Culture, Douglas M. Lanier
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Shakespeare™: Author and Myth, Douglas M. Lanier
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William Shakespeare, Filmmaker, Douglas M. Lanier
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Will of the People: Recent Shakespeare Film Parody and the Politics of Popularization, Douglas M. Lanier
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Jazzing up Shakespeare, Douglas M. Lanier
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World-Wide Shakespeares: Local Appropriations in Film and Performance. [Review], Douglas M. Lanier
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"Unaccommodated Man": King Lear in Popular Culture, Douglas M. Lanier
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"Determined to be a Villain": Richard III in Popular Culture, Douglas M. Lanier
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Shakespeare and Cultural Studies: An Overview, Douglas M. Lanier
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"Caviar to the General": Hamlet in Popular Culture, Douglas M. Lanier
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"A Kind of Merry War": Much Ado About Nothing in Popular Culture, Douglas M. Lanier
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"Hours dreadful and things strange": Macbeth in Popular Culture, Douglas M. Lanier
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"That you have but slumbered here": A Midsummer Night's Dream in Popular Culture, Douglas M. Lanier
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"O, what a fall was there, my countrymen!": Julius Caesar in Popular Culture, Douglas M. Lanier
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Minstrelsy / Jazz / Rap: Shakespearean Legitimation and African-American Culture, Douglas M. Lanier
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"What's in a Name?": Romeo and Juliet and Popular Culture, Douglas M. Lanier
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"It is the Green-Eyed Monster": Othello and Popular Culture, Douglas M. Lanier
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Nostalgia and Theatricality: The Fate of the Shakespearean Stage in The Midsummer Night's Dreams of Michael Hoffman, Adrian Noble, and Christine Edzard, Douglas M. Lanier
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Shakespeare and Modern Popular Culture, Douglas M. Lanier
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Shakescorp Noir, Douglas M. Lanier
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Art thou base, common and popular?'": The Cultural Politics of Kenneth Branagh's Hamlet, Douglas M. Lanier
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WSHX: Shakespeare and American Radio, Douglas M. Lanier
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The Idea of a John Barrymore, Douglas M. Lanier
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"Henry Porter," "Matthew Roydon," and "Nicholas Udall.", Douglas M. Lanier
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Shakespeare and Popular Culture, Douglas M. Lanier
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Fertile Visions: Jacobean Revels and the Erotics of Occasion, Douglas M. Lanier
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Now: The Presence of History in Pacino's Looking for Richard, Douglas M. Lanier
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"So Short You Read My Character": Ben Jonson and the Sphragis, Douglas M. Lanier
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Drowning the Book: Prospero's Books and the Textual Shakespeare, Douglas M. Lanier
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"Unmarkt, Unknown": The Return of the Expressed in Paradise Regained, Douglas M. Lanier
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Encryptions: Reading Milton Reading Jonson Reading Shakespeare., Douglas M. Lanier
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Masculine Silence: Epicoene and Jonsonian Stylistics, Douglas M. Lanier
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'Stigmatical in Making': The Material Character of The Comedy of Errors., Douglas M. Lanier
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Less is More: Coverage, Critical Theory and the Limits of Pluralism in Introductory Literature Courses, Douglas M. Lanier
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Ben Jonson, Epigrammes X ('To My Lord Ignorant'), Douglas M. Lanier
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Satire, Self-Concealment, and Statecraft: The Game of Identity in John Marston's The Malcontent., Douglas M. Lanier
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Brainchildren: Patriarchy and Self-Representation in the Early Works of Ben Jonson, Douglas M. Lanier
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The Prison-House of the Canon: Allegorical Form and Posterity in Ben Jonson's The Staple of Newes., Douglas M. Lanier
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