Dystopia in the 21st Century: Where the Genre Needs to Take Us Next, Darien Garner
Undergraduate Research Conference (URC) Student Presentations

Language as Resistance: An Exploration of the Use and Implications of Spanish in Three Memoirs by Female Chicana Authors, Ella Ross Franzoni
Honors Theses and Capstones

Shakespeare’s Deviation from His Predecessors: Aligning "Romeo and Juliet" with Italian Renaissance Marriage Culture, Tara Lynn Hohn
Honors Theses and Capstones

Translations as Representations of Cultural Bias, Sarah Theimer
Faculty Publications

Counterfactuals and Prefactuals in Shakespeare: Understanding the Human Mind and Human Behavior Through the Literary Analysis of Conditional Mental Simulation Thoughts in the Narratives of Plays, Cierra R. Cowan
Honors Theses and Capstones

Physical Illness in the Graphic Medium, Lilah Cherim
Undergraduate Research Conference (URC) Student Presentations

Tracking the Evolution of the Companionate Marriage Ideal in Early Modern Comedies, Madison L. Pierce
Honors Theses and Capstones

Teaching and Learning from Culturally Diverse Literature, Andrea E. Engen
Honors Theses and Capstones

Reintroducing Fuller: Periodical, Transatlantic, Urban, Brigitte G. Bailey
English

The Joy of Melancholy, Madison Rosa Schaefer Ms.
Honors Theses and Capstones

Edna the Oblivious Oppressor: An Intersectional Analysis of Privilege and its Lack Thereof in The Awakening, Jessica L. Rosenthal
Honors Theses and Capstones

“Good lord, for alliance” : Joss Whedon’s Much Ado About Nothing., Douglas M. Lanier
English

"Shakespearean Rhizomatics: Adaptation, Ethics, Value.", Douglas M. Lanier
English

Illuminated by Archival Research: The Role of Books in Religious Reformation and Early English Drama, Katy Sternberger
Inquiry Journal 2014

Zen and a Pen: Adventures in Writing and Yoga, Hannah Drake
Inquiry Journal 2014

Convict Voices: Women, Class, and Writing about Prison in Nineteenth-Century England, Anne Schwan
University of New Hampshire Press: Open Access Books

Em(body)ing Autonomy: Black Women’s Bodies and Self-Liberation in the Novels of Zora Neale Hurston and Alice Walker, Caitlin Rose Riley Duttry
Honors Theses and Capstones

L'homme blanc et l'homme noir: Les enfants du paradis and Othello, Douglas M. Lanier
English

"There won't be puppets, will there?": 'Heroic' Authorship and the Cultural Politics of Anonymous, Douglas M. Lanier
English

Sexual Iconoclasm in Early Modern Drama, Lynnette Macomber
Honors Theses and Capstones

Introduction: Fuller at Two Hundred, Brigitte G. Bailey
English

Margaret Fuller and Her Circles, Brigitte G. Bailey, Katheryn P. Viens, Conrad Edick Wright
English

Murdering Othello, Douglas M. Lanier
English

"Nimble in damnation, quick in tune": Vice and The Revenger's Tragedy, Douglas M. Lanier
English

Boats Against the Current: The American Dream as Death Denial in F. Scott Fitzgerald’s The Great Gatsby and Arthur Miller’s Death of a Salesman, Patrice Comeau
Honors Theses and Capstones

The individual voice: The expression of authority through dialects, idiolects, and borrowed terminology in Chaucer’s Canterbury Tales, Jacqueline Cordell
Honors Theses and Capstones

Honor in the face of death: Hemingway’s moral code in Death in the Afternoon and For Whom the Bell Tolls, Nias Achorn
Honors Theses and Capstones

Marketing Shakespeare, Douglas M. Lanier
English

Margaret Fuller’s New-York Tribune Dispatches from Great Britain: Modern Geography and the Print Culture of Reform, Brigitte G. Bailey
English

Introduction: Transatlantic Studies and American Women Writers, Brigitte G. Bailey
English

"I'll Teach You Differences": Film Genre, Critical Pedagogy, and Shakespeare on Screen, Douglas M. Lanier
English

Post-Textual Shakespeare, Douglas M. Lanier
English

Exaltadas: A Female Genealogy of Transcendentalism [Review], Brigitte G. Bailey
English

Re-reading Virginia Woolf, Patricia Emison
Art & Art History

Nouveau noir: Claude Chabrol's Ophélia, Shakespeare's Hamlet, and the nouvelle vague, Douglas M. Lanier
English

Recent Shakespearean Adaptation and the Mutations of Cultural Capital, Douglas M. Lanier
English

Ellington's Dark Lady, Douglas M. Lanier
English

Margaret Fuller: Transatlantic Crossings in a Revolutionary Age [Review], Brigitte G. Bailey
English

"The villainy you teach me": The Merchant of Venice in Popular Culture, Douglas M. Lanier
English

Shakespeare on the Record, Douglas M. Lanier
English

Julie Taymor, Douglas M. Lanier
English

Shakespeare, from Stage to Screen. [Review], Douglas M. Lanier
English

"Kiss Me Kate": The Taming of the Shrew in Popular Culture, Douglas M. Lanier
English

"A sea-change / Into something rich and strange": The Tempest in Popular Culture, Douglas M. Lanier
English

Shakespeare™: Author and Myth, Douglas M. Lanier
English

William Shakespeare, Filmmaker, Douglas M. Lanier
English

Understanding Macbeth: A Returning Soldier, Christy Clothier
Inquiry Journal 2007

Will of the People: Recent Shakespeare Film Parody and the Politics of Popularization, Douglas M. Lanier
English

Jazzing up Shakespeare, Douglas M. Lanier
English

World-Wide Shakespeares: Local Appropriations in Film and Performance. [Review], Douglas M. Lanier
English

"Unaccommodated Man": King Lear in Popular Culture, Douglas M. Lanier
English

"Determined to be a Villain": Richard III in Popular Culture, Douglas M. Lanier
English

Shakespeare and Cultural Studies: An Overview, Douglas M. Lanier
English

"Caviar to the General": Hamlet in Popular Culture, Douglas M. Lanier
English

"A Kind of Merry War": Much Ado About Nothing in Popular Culture, Douglas M. Lanier
English

"Hours dreadful and things strange": Macbeth in Popular Culture, Douglas M. Lanier
English

"That you have but slumbered here": A Midsummer Night's Dream in Popular Culture, Douglas M. Lanier
English

"O, what a fall was there, my countrymen!": Julius Caesar in Popular Culture, Douglas M. Lanier
English

Minstrelsy / Jazz / Rap: Shakespearean Legitimation and African-American Culture, Douglas M. Lanier
English

"What's in a Name?": Romeo and Juliet and Popular Culture, Douglas M. Lanier
English

"It is the Green-Eyed Monster": Othello and Popular Culture, Douglas M. Lanier
English

MAINE STREAM: A BIBLIOGRAPHICAL RECEPTION STUDY OF SARAH ORNE JEWETT, Kathrine Cole Aydelott
Sarah Orne Jewett: Bibliography

Religious icons, national iconography, and female bodies in Hawthorne and Stowe, Brigitte G. Bailey
English

Nostalgia and Theatricality: The Fate of the Shakespearean Stage in The Midsummer Night's Dreams of Michael Hoffman, Adrian Noble, and Christine Edzard, Douglas M. Lanier
English

Tourism and Visual Subjection in Letters from Abroad and 'An Incident at Rome.', Brigitte G. Bailey
English

Shakespeare and Modern Popular Culture, Douglas M. Lanier
English

Shakescorp Noir, Douglas M. Lanier
English

Gender, Nation, and the Tourist Gaze in the European 'Year of Revolutions': Kirkland's Holidays Abroad, Brigitte G. Bailey
English

Art thou base, common and popular?'": The Cultural Politics of Kenneth Branagh's Hamlet, Douglas M. Lanier
English

WSHX: Shakespeare and American Radio, Douglas M. Lanier
English

Fuller, Hawthorne, and imagining urban spaces in Rome, Brigitte G. Bailey
English

The Idea of a John Barrymore, Douglas M. Lanier
English

"Henry Porter," "Matthew Roydon," and "Nicholas Udall.", Douglas M. Lanier
English

Shakespeare and Popular Culture, Douglas M. Lanier
English

Representing Italy: Fuller, History Painting, and the Popular Press, Brigitte G. Bailey
English

Fertile Visions: Jacobean Revels and the Erotics of Occasion, Douglas M. Lanier
English

Now: The Presence of History in Pacino's Looking for Richard, Douglas M. Lanier
English

"So Short You Read My Character": Ben Jonson and the Sphragis, Douglas M. Lanier
English

Drowning the Book: Prospero's Books and the Textual Shakespeare, Douglas M. Lanier
English

"Unmarkt, Unknown": The Return of the Expressed in Paradise Regained, Douglas M. Lanier
English

Encryptions: Reading Milton Reading Jonson Reading Shakespeare., Douglas M. Lanier
English

Hawthorne and the Author Question [Review], Brigitte G. Bailey
English

Travel Writing and the Metropolis: James, London, and English Hours, Brigitte G. Bailey
English

Masculine Silence: Epicoene and Jonsonian Stylistics, Douglas M. Lanier
English

'Stigmatical in Making': The Material Character of The Comedy of Errors., Douglas M. Lanier
English

The Protected Witness: Cole, Cooper, and the Tourist's View of the Italian Landscape, Brigitte G. Bailey
English

Aesthetics and ideology in Italian backgrounds, Brigitte G. Bailey
English

Less is More: Coverage, Critical Theory and the Limits of Pluralism in Introductory Literature Courses, Douglas M. Lanier
English

Ben Jonson, Epigrammes X ('To My Lord Ignorant'), Douglas M. Lanier
English

Satire, Self-Concealment, and Statecraft: The Game of Identity in John Marston's The Malcontent., Douglas M. Lanier
English

Brainchildren: Patriarchy and Self-Representation in the Early Works of Ben Jonson, Douglas M. Lanier
English

The Prison-House of the Canon: Allegorical Form and Posterity in Ben Jonson's The Staple of Newes., Douglas M. Lanier
English